Over the past three weeks, me and Baba Yaga’s Hut booker Anthony Chalmers have begun putting out the Independent Music Podcast again.
One of our favourite releases of the past year was HFF Vol.1 – the debut release on London label Psyché Tropes), we produced a gallery of images and a review of the record. During that time we sent some questions to label and Hackney Film Festival founder Steven McInerney. Here’s what he sent back: (more…)
Since its birth in 2010, the Hackney Film Festival has prided itself on showcasing both Hackney filmmakers and audio-visual artists. Now four years on, they have pulled together a mammoth three LPs worth of contributions for the debut release through co-founder Steven McInerney’s Psyché Tropes label.
The thinking man’s alternative to the Mercury – the Dead Albatross Music Prize – has announced its winner.
Chosen by a panel of forward-thinking music lovers from inside and outside the industry (full disclosure, FFP is one of them), the Dead Albatross Music Prize has no entry process, no entries fees and no big bash. No fanfare, just great independent music from British artists.
Paul Ackroyd – the man behind the award – put together a fantastic announcement show to run through the shortlist and announce the winner. You can listen to it below. (more…)
The debut release on London label Psyché Tropes is a gorgeous three LP sound project that takes some of the finest works from audio-visual artists working in Hackney, East London and presses them to 180gm vinyl. It includes some truly exceptional pieces, with contributions from Sally Golding, Tom White, and Mark Peter Wright amongst others.
We’ll be reviewing the record in more detail over the week, but to whet your appetite, in this post you can listen to excerpts of the record as well as images of the record packaging.
You can buy the record direct from Psyché Tropes for £25.99.
Hosted by Gareth Main, the Independent Vinyl Podcast kicks off with an inevitably eclectic mix of the latest independent vinyl records exciting us this month. Kicking off with the debut release from Brooklyn’s Alien Whale, we take in phenomenal new records from The Bug and Lurka as well as reissues of the legendary Bernard Szajner Visions of Dune LP and library compilation The Big Beat Vol.1.
Below is the tracklisting of the podcast, as well as links to buy records from across the web.
In the world of the internet and too much information about too many people, precious little is known about Italian library music or one of its finest composers Daniela Casa, a Rome-born synthesist and guitarist whose recording career lasted from 1963 through to her untimely death in 1988 at the age of 42.
Reviewing the arts is by definition subjective, but the presence and originality of Nick Cave is something that few critics or fans question. In the live arena, it’s obvious to all that he operates on a level way ahead of his peers, and to us mere mortals, he’s at an altogether different stage of consciousness. It’s no surprise then that 20,000 Days on Earth has something of an extraterrestrial title to it, what is more surprising is the insight it offers into Cave’s process, even if what is revealed is meticulously controlled.
It’s fair to say that Manchester’s Finders Keepers is one of the finest record labels operating today. If you’re into music that is broadly interesting, there are few better proponents of wildly varied music that hit upon such consistent quality. So when it came to selecting the first record to spend a week with, the announcement of this Daniela Casa LP Sovrapposizione Di Immagini (“overlapping images”), gave us an obvious place to start.
This is the first post of three around this record this week. This is a live-blogged track-by-track run-through of our first listen. (more…)